By Günter Figal

ISBN-10: 0253015650

ISBN-13: 9780253015655

Connecting aesthetic event with our event of nature or with different cultural artifacts, Aesthetics as Phenomenology makes a speciality of what artwork capacity for cognition, popularity, and affect—how paintings adjustments our daily disposition or habit. Günter Figal engages in a penetrating research of the instant at which, in our contemplation of a piece of artwork, response and notion confront one another. For these proficient within the visible arts and for extra informal audience, Figal unmasks paintings as a decentering event that opens additional chances for knowing our lives and our international.

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Therefore, ‘‘Nescio Vos’’ comes from far beyond Judith’s memory or from a topology of consciousness/unconsciousness. 16243$ $CH1 11-27-06 10:49:13 PS PAGE 32 The Passion of Time: Au moment voulu 33 The other’s foreboding, however, is not a theme and does not belong to the discourse of the day, the language shared by a group. Uttered in a foreign language and in a dead one as well, the saying (dire) of the other’s premonition evades communication. It signals without signifying, and its saying says the immemorial in a language that, for a man of letters, as the narrator seems to be, belongs to the region of an impersonal memory (AMV 137/SH 250).

Levinas’s aesthetic categories belong to a French tradition that, although popularized by Sartre, has its point of origin in Alain and Vale´ry, while Mallarme´ and Kafka shape Blanchot’s understanding of literary language. These connections are made explicit in my book. Intrigues: From Being to the Other aims to contribute to contemporary debates on the ‘‘ethical turn’’ of literary criticism, and to bring to the domain of narrative theory what Blanchot calls the un-narrative supplement that is not only crucial for an ethics of writing, but also for an ethically inflected literary criticism.

16243$ $CH1 11-27-06 10:49:05 PS PAGE 21 22 Intrigues: From Being to the Other interiority, it is always irruption of the outside, exteriority shaking everything. ’’ (EI16 608/IC 414, translation modified) The encounter is the event par excellence which brings together all the features a phenomenology of the event only recently began to elucidate: the surprise of its coming, its eluding any form of anticipation, its disruption of the order of the world and of consciousness, and its peculiar way of manifesting itself.

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Aesthetics as Phenomenology: The Appearance of Things (Studies in Continental Thought) by Günter Figal


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